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Marin Cummins

BIG READ: SANCTUARY Takes Amanda Tapping and its Green Screens Outside

Published May 20, 2011 on Vancouver is Awesome

I did not expect to be able to feature all-Canadian sci-fi success story Sanctuary in this series because it almost never goes on location, filming everything on greenscreen at its Burnaby soundstage, with virtually no physical sets whatsoever. And then a friend of a friend’s husband watched Sanctuary bring its greenscreens outside a week ago to film a bloodied and beat-up Amanda Tapping at a nearby office complex, masquerading as an airport on the Indian Ocean islands of Comoros.

When I arrived, I joked with Sanctuary crew about the number of green travelling mattes (used for special effects) they’d brought to a real location, including a stack of smaller sizes on a cart at the back of their studio, an immense street-width screen by the Departs door and one regular-sized screen at the Arrive door. This is where I photographed guest star Sandrine Holt and Sanctuary star Amanda Tapping already in character and about to turn around to the camera to meet guest stars Carlo Rota ( 24 and Little Mosque on the Prairie) and Martin Cummins (V and Shattered) on the steps above. Sanctuary had filmed explosions the day before at Mammoth studios and Tapping did not go unscathed: wardrobe had dressed her in an artfully ripped sweater and bandaged arm and makeup painted blood on her knees.

Who is Amanda Tapping? She is our Queen of Sci-fi after ten seasons in combat boots on Stargate SG-1 as scientist-soldier Samantha Carter, followed by more seasons as Carter on Stargate spinoffs and then coming-up-on-four seasons in stilettos on Sanctuary as immortal 160-something Dr. Helen Magnus from Victorian England, who rescues genetic mutants called Abnormals and harbours them in her stately gothic mansion overlooking the fictional Old City in the modern world.

What makes Sanctuary so unique is that this castle-like facility doesn’t exist, except as an empty set with some minimal props Read More »BIG READ: SANCTUARY Takes Amanda Tapping and its Green Screens Outside