Sunday, February 3rd – The Murder is Just the Beginning. An unprecedented ad campaign for Vancouver crime drama Motive, starring Kristin Lehman and Louis Ferreira, ahead of its debut on CTV after the Superbowl. My post for Vancouver is Awesome.
Friday, February 1st- Supernatural films for a second afternoon and evening in Queensborough on Duncan Street at a riverfront industrial property.
Friday, February 1st – Vancouver’s cop-from-the corporate-future series Continuum films in Squamish.
Thursday, January 31st – Supernatural films in Queensborough on Duncan Street at a riverfront industrial property. Impala spotted on set.
Thursday, January 31st – Bates Motel films on its motel/house set in Aldergrove for fourth day.
Wednesday, January 30th – CBC airs Arctic Air 2×04, with lots of hookups, including one — Bobby & Krista — I didn’t expect to see so early in the season.
Wednesday, January 30th – The CW airs Arrow 1×12 Vertigo featuring Seth Gabel as “The Count” with key scenes filmed on the Front Street Parkade in New Westminster.
Wednesday, January 30th – ABC picks up Vancouver crime drama Motive to air this summer.
Psycho prequel Bates Motel is expected to wrap filming in Vancouver early this coming week after spending four days shooting its season finale on its spooky Psycho replica motel and house set in Aldergrove from Monday to Thursday..
On Friday, A&E shared a creepy new poster and teaser with Entertainment Weekly’s Inside TV. In the Motherly Love teaser, the camera slowly zooms in like a voyeur on teenage Norman (Freddie Highmore) and his possessive mother Norma (Vera Farigma) sitting side-by-side on a bed. You want to scream, Get a Room!, except they’re already in one and this is a mother and son. Is this the relationship which turns young Norman into the killer who stuffed his mother in the classic Alfred Hitchcock horror film? Read More »PROMO: BATES MOTEL “A Boy’s Best Friend is His Mother” Poster
Next Wednesday’s Supernatural has an odd title — Everybody Hates Hitler. Let me rephrase that. Most of Supernatural’s episode titles are odd but in a good way. I’m not sure about this one but it’s apt.
Sam & Dean look into the death of a rabbi researching Nazi necromancers. And then the golem belonging to the Rabbi’s grandson Aaron attacks them.
Sounds like a good hunt of the week except for Sam & Dean’s attire. Have they become plaid-shirt-wearing preppies since they learned from Grandpa Winchester that they were supposed to be Men of Letters not Hunters? Maybe, but they are holding guns.
David Anders (Once Upon a Time and Alias) is the next cult guest star to drop by Arrow. We’ll meet him next Wednesday night as infamous Starling City criminal Cyrus Vanch, who plans to take on Stephen Amell’s The Hood to re-establish his reputation as a leading crime lord. Something tells me it won’t work out.
But the theme of the episode is betrayal and there seems to be plenty of that to go around. In the Island flashbacks, Stephen Amell’s Oliver Queen meets Manu Bennett’s man-behind-the-Deathstroke-mask who claims there are two masks..
Flash forward to Starling City where the major betrayals are parental. Katie Cassidy’s Laurel is betrayed by her father who uses her as bait to capture The Hood, filmed in the rain on top of the Bentall parkade in front of a gaggle of visiting American TV journalists. Afterward Laurel angrily tells Colin Donnell’s Tommy about it but he’s not thrilled she kept her meetings with The Hood secret from him.
CTV has given the debut of its new Vancouver crime drama Motive a prime spot on its schedule — the post-Superbowl slot this Sunday. In a new twist on procedurals, Motive reveals the killer and the victim at the start of each of episode or as the show’s tagline puts it — The Murder is Just the Beginning. Then we follow along with “feisty female Vancouver detective” Angie Flynn (Kristin Lehman) and her partner Oscar Vega (Louis Ferreira) as they investigate the case and discover what motive drove the killer to murder.
The Foundation Features and Lark Productions series created by Dexter writer Daniel Cerone began filming thirteen episodes in the city last September and wraps its first season late next month. If I hadn’t heard that Kristin Lehman had been cast as single mother and damn fine detective Angie Flynn, I might not have recognized her in Olympic Plaza at The Village on False Creek last October. There’s very little of her haughty blue-blooded political campaign consultant Gwen Eaton from The Killing in this new character sporting a leather jacket, kickass boots and permed hair.
Ruby, you tramp! Ruby/Little Red (Meghan Ory of the impossibly long legs) filmed a Storybrooke flashback scene to 1983 at Granny’s Diner in Steveston yesterday. I couldn’t believe what she was wearing. And how meek and mild our badass Snow (Ginnifer Goodwin) looked as early Mary Margaret. They’ve both come a long way since the curse broke and they remembered their fairy tale selves. Mary Margaret appeared to accidentally bump into Regina (Lana Parrilla) outside Granny’s Diner and apologize for it. Oh Mary Margaret, she’s evil. Archie (Raphael Sbarge), Pongo and Granny (Beverley Elliott) were in the scene too. And some Once Upon a Time fans up from Florida spotted the Man who owns Storybrooke, aka Mr. Gold/Rumplestiltskin (Robert Carlyle), earlier in the day, but there was no sign of David/Charming (Josh Dallas) on set of course — unless they filmed his poor nameless coma patient in hospital.
NOTE: Because these are flashbacks I’m not withholding the photos but normally my policy is to hold onto major spoilers until they become mild to medium.
Once Upon a Time paid to have businesses close for the day on two blocks of Moncton Street in Steveston and hired 35 PAs (production assistants) to keep people back for Storybrooke flashbacks of Sheriff Graham (Jamie Dornan) and Regina (Lana Parrilla) in a high-speed chase in the Storybrooke Sheriff’s car. Crew alternated scenes of stunt doubles driving fast and cast driving slowly down Moncton Street.
NOTE: Because these are flashbacks I’m not withholding the photos but normally my policy is to hold onto major spoilers until they become mild to medium ones.