Skip to content

movie

YVRShoots Series – Making of THIS MEANS WAR in Vancouver

Published February 27, 2012 on Vancouver is Awesome

Thanks to real bro chemistry between Chris Pine (Star Trek reboot’s Captain Kirk) and Tom Hardy (Bane in upcoming The Dark Night Rises), the bromance in This Means War works much better than the actual romance, which flounders on the premise that Reese Witherspoon’s character is so supremely attractive that these two men would risk their friendship to war over her. Witherspoon is beautiful and an acclaimed actress but she’s miscast in this role. On the other hand, I had no problem with the idea of blending of action, romance and comedy — if done well — in a story of spy versus spy, who use their CIA resources against each other after they discover they’ve fallen for the same woman. But the execution of this movie felt choppy and clumsy in both writing and editing, as if three different movies had been spliced into one.

That might have been the case, judging from the number of Vancouver scenes cut in editing, including the ones I photographed below in Yaletown and North Vancouver’s Lonsdale Quay Market, as well as some at Gastown’s Incendio restaurant. Director McG (in my Yaletown photo with Tom Hardy & Reese Witherspoon) even shot three alternate endings to the romance, including a fun “homoerotic” one of Pine and Hardy in each other’s arms and Witherspoon with nobody — which I might have preferred.

This Means War opens with a spectacular action sequence on the roof of the Bentall 4 tower in Vancouver as Hong Kong. CIA agents and best buds FDR Foster (Chris Pine) and Tuck Hensen (Tom Hardy) are on a mission to stop arms dealer Heinrich, played by Til Schweiger of Inglorious Basterds fame, from acquring a WMD at a fancy hotel rooftop party. Read More »YVRShoots Series – Making of THIS MEANS WAR in Vancouver

BIG READ: Making of UNDERWORLD AWAKENING

Published February 7, 2012 on Vancouver is Awesome

The return of Kate Beckinsale and her cat suit powered supernatural thriller Underworld Awakening to a weekend North American box office win of $25 million+ for its late January opening but critics blasted the fourth installment of the franchise for its weak storyline. U4 box office halved for its second weekend and then halved again last weekend. I saw the film last week in 3D and enjoyed watching Beckinsale and her stunt double playing kickass-cool vampire Selene and Simon Fraser University as its unmistakable self playing nefarious bio-tech company Antigen.

Vengeance Returns is the Underworld Awakening tagline. Here is a plot synopsis with spoilers: Not long after the events of Underworld Evolution, vampire Selene and her hybrid vampire/Lycan lover Michael Corvin are captured during The Purge, a crusade by humans to rid the world of vampires and Lycans (evolved werewolfs who can shift between wolf and human form). Twelve years later, Selene is freed from cryogenic suspension in Antigen headquarters by her and Corvin’s vampire/Lycan hybrid daughter Eve — a daughter Selene never knew she had with a lover who appears to be dead. Antigen claims to be developing an antidote for the virus that creates vampires and Lycans, but is really run by Lycans who are injecting Eve’s hybrid blood into themselves to create a race of super Lycans, impervious to silver and with enhanced abilities and size.

Unfortunately Scott Speedman declined to return as Selene’s lover Michael Corvin in the fourth film so we only see him in flashbacks or as a blurred figure in Underworld Awakening. New to this Vancouver-shot movie franchise about vampires and werewolves that predates the Twilight craze is human Detective Sebastian played by Michael Ealy of The Good Wife (see photo below).

After a brief recap of the Underworld saga so far, the new film opens with scenes of a genocide of not one but two species — vampires and Lycans — that was filmed mainly downtown. For example, crew set up a security checkpoint with police/SWAT extras on Hamilton Street outside Pappas Furs for filming on May 1st last year. Read More »BIG READ: Making of UNDERWORLD AWAKENING

BIG READ: Making of MISSION IMPOSSIBLE: GHOST PROTOCOL

Published January 10, 2012 on Vancouver is Awesome

UPDATE: Worldwide Box Office — US$695 million.

The round-the-world spy thriller Mission Impossible – Ghost Protocol has more Vancouver in it than the Mumbai running scene outside the Vancouver Convention Centre which I wrote about in my inaugural #YVRShoots series post and the Seattle post-mission team beer at a table on Granville Island which I covered in my second post about the Tom Cruise franchise filming here. Director Brad Bird filmed the last shot of Josh Holloway’s Budapest alley death scene in between the Dunsmuir and Georgia Viaducts; the Moscow scene where the team gets its Kremlin mission beneath the Burrard Bridge; the Kremlin explosion in a giant blue screen box at a gravel field near the Fraser River path; some of the Dubai sandstorm scene at an Arab market set at that same gravel field; the Sun Network station in Mumbai at a Richmond office park and the Mumbai automated car park scene inside a vast Vancouver Drydocks warehouse in North Vancouver.

Tom Cruise and his co-stars did go on location with Brad Bird and crew to Prague and Dubai before their final three months of shooting in Vancouver in late 2010 and early 2011, with the second unit filming scenes without cast in Moscow for a week and in Mumbai for the BMW coupe racing-through-the-streets sequence. Prague doubled for Budapest and Moscow, with some exceptions. And the Dubai showpiece of Cruise as IMF agent Ethan Hunt scaling and swinging from the tallest building in the world could not have be done anywhere but the actual Burj Khalifa.

Almost everything else happened here in studio at Canada Motion Picture Park or on location in the Vancouver area. It’s a credit to our crews and VFX expertise that the only things that give us away are glimpses of the Vancouver Convention Centre and a lit-up southwest False Creek between the Burrard and Granville Bridges.

So far, I’ve seen Mission Impossible -Ghost Protocol twice in theatres. Once to simply enjoy Brad Bird’s first big action movie with a non-animated cast and the second time to nail down as many of the Vancouver locations as possible. Despite my best efforts I’m sure I missed several.

The fourth in the Mission Impossible movie franchise opens with Josh Holloway as IMF agent Trevor Hanaway in Prague-as-Budapest trying to intercept a courier of a threat codenamed COBALT at a train station. Then we’re treated to Tom Cruise’s Moscow prison escape to the tune of Dean Martin’s Ain’t That a Kick in the Head, likely filmed here given the numerous Vancouver paparrazi shots of Cruise in his dirty white muscle shirt from prison. Post-escape Cruise meets his new team: Simon Pegg as newly promoted field agent Benji Dunn and Paula Patton as Hanaway’s team leader Jane Carter while they drive around in a Russian van. Read More »BIG READ: Making of MISSION IMPOSSIBLE: GHOST PROTOCOL

BIG READ: Robert Redford Films THE COMPANY YOU KEEP in Vancouver

Published November 18, 2011 on Vancouver is Awesome

Earlier this week I wrote about the hundreds of University of British Columbia students who turned out to see 26-year-old Transformers star Shia LaBeouf film The Company You Keep on campus last month. Well when the production moved downtown it wasn’t LaBeouf who commanded a fan following but 75-year-old Robert Redford. Dressed-for-sucess women from thirty-something to sixty-something giggled like schoolgirls watching Redford do scenes at the Vancouver Art Gallery. I had to shush two particularly excited older ladies on Hornby whose chattering would be picked up by the boom mikes across the street and loved doing it. Downtown men who stopped to watch the Hollywood legend on Tuesday didn’t seem quite as giddy but I did overhear some calling friends to say they’d just seen The Sundance Kid in action.

It wasn’t just passersby doing some stargazing but big news media too, situated as they were just round the corner at the Occupy Vancouver encampment where fire officials and city workers conducted yet another safety inspection. Photos of Robert Redford filming at the Vancouver Art Gallery appeared in The Globe and Mail, The Vancouver Sun, CBC Arts and many other outlets, making mention of his proximity to the month-old tent city, where one protester had to be dragged out of traffic by police that morning after sitting in a West Georgia street lane and refusing to move (I photographed this too).

Some expected Robert Redford to make some kind of statement about Occupy Vancouver but although Redford is a well-known political activist his causes tend to be more environmental in nature, after four decades of environmental advocacy. And besides, the man is here to work: both directing and starring in a political thriller about a former Weather Underground militant played by Redford wanted by the FBI for 30 years, who must go on the run when Shia LaBeouf’s ambitious reporter exposes his true identity.

Redford’s scenes at the Vancouver Art Gallery looked like a media scrum for the exposed former Weather Underground radical, with Chris Cooper driving the car Redford gets into and Shia LaBeouf there as a reporter but standing at a remove from the actual scrum.

The Company You Keep first occupied the west side of the Vancouver Art Gallery while Occupy Vancouver occupied the front two weeks ago. Several people — @UBCRobsonSquare, @Imohux, @darrylamiller, @davidgcami, @uuruson and @BenMcKinnon96 — tweeted photos of Robert Redford, a prop Detroit TV news satellite truck and Chris Cooper in exterior day scenes as well as a night scene at the back of the Gallery on Robson Street.

That weekend The Company You Keep set up at Vancouver City Hall for a five-day shoot, starting Sunday, November 6th. Read More »BIG READ: Robert Redford Films THE COMPANY YOU KEEP in Vancouver

BIG READ – Vancouver as Vancouver at Vancouver International Film Festival (VIFF)

Published September 29, 2011 on Vancouver is Awesome

It’s not often in this series that I get an opportunity to talk about movies where Vancouver plays itself but the Vancouver International Film Festival is showcasing 17 locally-filmed features in theatres over the next two weeks.

Four of the most-buzzed-about are Sisters & Brothers, the third in Carl Bessai’s trilogy about dysfunctional Vancouver families with real-life friends Cory Monteith and Dustin Milligan as brothers ; mockumentary Sunflower Hour about maladjusted puppeteers vying for a spot on a hit children’s show featuring real-life pals Patrick Gilmore and Ben Cotton; dramedy Everything & Everyone about a group of family and friends with Ryan Robbins’s naked torso in the teaser; and Donovan’s Echo with Danny Glover as a man who returns to his family home 30 years after a tragic accident in a movie produced by veteran Canadian actor Bruce Greenwood.

I met and chatted with some of the filmmakers and cast earlier this month at a VIFF media conference but didn’t get to see any of the filming here, mostly because the low budgets meant shooting is done mainly on weekends with a limited crew. The Sunflower Hour writer/producer/director Aaron Houston told me it took eight weekends, sixteen days of filming, seventeen locations and thirty-four actors to make his caustic and reportedly very funny mockumentary. Eveything & Everyone took only 12 days in Maple Ridge and Alouette Lake; and Donovan’s Echo filmed last November in Fort Langley. So I’ve made an exception in this series and used the VIFF handouts below to illustrate the films not my own photographs. From top to bottom: bearded Dustin Milligan and Cory Monteith as brothers in Sisters & Brothers; bad-ass Irish puppeteer Ben Cotton and his smoking puppet in Sunflower Hour; Gabrielle Rose and her newly-discovered grandson in Everything & Everyone; and Danny Glover in spooky blue on a bridge in Donovan’s Echo.

C

Low budgets don’t have to limit these films when it comes to promotion though. Vancouver filmmakers are as savvy about social media as anyone in this city. The Sunflower Hour and Donovan’s Echo boast websites, YouTube trailers, facebook pages and Twitter accounts. Everything & Everyone has a teaser on You Tube and a facebook page. Sisters & Brothers has a facebook page and currently rules Twitter thanks to Glee star Cory Monteith’s 800,000+ Gleek followers. Almost everyone involved in that film has a Twitter account including @SisBroFilm and director @CarlBessai.

Sisters & Brothers, which premiered at the Toronto International Film Festival on September 11th, Read More »BIG READ – Vancouver as Vancouver at Vancouver International Film Festival (VIFF)

BIG READ: RISE OF THE PLANET OF THE APES Green Screen in Vancouver

Published August 11, 2011 on Vancouver is Awesome

Hail Caesar! Andy Serkis’s motion-capture performance as the chimpanzee Caesar in the mostly Vancouver-filmed Rise of the Planet of the Apes is nothing short of astonishing. I am now kicking myself for not stumbling on to any of the Apes location shoots last summer, especially the one on Hornby Street of digital apes scrambling down the marble facade of the YWCA Health & Fitness Centre, which happens to be my gym. That’ll teach me not to skip a workout.

Filming of Rise of the Apes began here in July last year before moving on to San Francisco and Hawaii. When you catch this reboot of the Planet of the Apes franchise in theatres you’ll see it does make for a decent game of spot the location. I didn’t do well, getting caught up in the story and forgetting to look for Vancouver area locations. A friend recognized the home of scientist Will Rodman (James Franco) and his Alzheimer-addled father Charles (John Lithgow) as a heritage house up behind the Mountain Equipment Co-op Store on Broadway. Crew filmed on that street for two weeks and recreated the interior of the house for more scenes in studio. This is the house where young Caesar grows up and Andy Serkis honoured the home owners by introducing himself to them.

I did spot the BCIT Aerospace and Technology Campus in Richmond in some of the exterior scenes of GEN-SYS, the lab where Will Rodman is using apes as test subjects to develop a cure for his father’s Alzheimers. And the Hornby Street location of apes rampaging through San Francisco after their escape from their “Ape Alcatraz” animal shelter, proved instantly recognizable, although I missed the anomoly of Canada Place in one of the camera shots looking north down to Burrard Inlet.

As for the climatic showdown of apes and men on the Golden Gate Bridge, most of it was filmed here with greenscreens on the huge gravel field at Kent and Boundary near the Fraser River path. Background performer Thomas C. Andrews tweeted to tell me of the five days he spent last summer running scared on that gravel, playing one of the many pedestrians/motorists trapped on the bridge. I don’t know how many days in total it took to film all the sequences in that showdown but here’s where I got lucky. Rise of the Planet of the Apes returned to Vancouver this spring to do some reshoots ahead of the movie’s opening this month. I photographed the greenscreens, Highway Patrol cars, the extras playing Highway Patrol officers and three of the stop-motion apes (see below). None of them look like Andy Serkis, but these three performers could have played some of the other lead apes, such as the chimp Koba and gorilla Buck.

Unlike the other Planet of the Apes movies, the apes in this one are not actors in makeup. Peter Jackson’s Weta Digtial created them digitally using time motion capture, which is what the orange square markings are for. From a distance I watched one of the men playing an ape bend over simian-style and scamper along the ground with his crutches. Read More »BIG READ: RISE OF THE PLANET OF THE APES Green Screen in Vancouver