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THE KILLING – Recap of Days Seventeen to Nineteen of the Investigation

Linden & Holder. The dynamic detective duo are back together for days seventeen to nineteen of The Killing investigation into the death of Seattle teenager Rosie Larsen. And it’s wonderful to watch and listen to them. I got to see quite a bit of Mireille Enos and Joel Kinnaman filming these scenes inside lead homicide detective Sarah Linden’s silver car in various spots around Vancouver-as-Seattle’s downtown and downtown eastside, but couldn’t hear any of their often funny dialogue.

Day Sixteen ends with Linden & Holder staking out the Larsen residence and Holder attempting to explain his actions to her: “Linden, I thought the [Darren] Richmond photo was legit. Kay. I mean Gil saved my life. I had 10 days in when I met him.” Linden is having none of it: “I don’t care. We’re in the middle of a shit storm because of you.” They follow an S.A. Larsen truck to Janek’s restaurant. Holder points out they’re not Stan Larsen’s guys: “They don’t got the overalls.”

The next day, the detective duo meet up with a mob expert with the FBI, who shows them a photo of the body of a man hands-bound with a single shot to his head in the trunk of a car and tells them that it was Stan Larsen who whacked him. Back at the police station, it’s another fun food conversation with Linden asking Holder: “Mmmmm is that bacon?” He replies: “Nah this is ham, eggs and sausage.” Linden: “What happened your whole lacto ova vegan thing?” Holder: “Nothing. I’m just ready to embrace meat again.” And then after a while, Holder brainstorms: “Maybe Rosie’s BFF knows about tattoo boy?”

After first stopping in to see the widow of the man killed by Stan Larsen, Linden & Holder go to Rosie’s school to ask her BFF, played by Vancouver’s own Kacey Rohl, what she knows about the Boy with the Manga Tattoo. She confirms seeing this boy hanging around Rosie’s place but that’s all.

They go to a juvenile hall to question the tattoo artist and discover the boy was a foster kid, Alexi Giffords, who lived three blocks from the Larsens. And then onto the stakeout scenes I saw being filmed in Strathcona. It was a long one and Holder got on Linden’s nerves to the point she made him get out of the car and left.

I couldn’t help but laugh. He was so Holder: “Yo I gotta piss. So Rosie likes bad boys like her father.” Linden doesn’t buy it but Holder presses on: “It’s in the DNA…sins of the fathers.” Linden: “Did you read that in O magazine?”

Then he teases her about the FBI Mob guy: “Oh snap, Linden rocked a booty call. Dial 1-900-Linden.” Linden replies: “It’s not even enough numbers.”  But when Holder starts pushing her Foster kid buttons she snaps. He reminds her she was a runner in her day and she gives him a warning look but he continues on: “I’m just making conversation since we’re wasting our time anyway.” Linden barks: “You’re right this is a waste of time. Get out!” Holder: “Come on Linden. What am I supposed to do out here?”. Linden: “Your job.” Holder: “Least we’re back to normal.” They are.

Linden goes to see Regi to ask to read a file on an ex-foster kid. The Regi and Linden talking on the dock scenes were filmed in late January at the Quayside Marina in Yaletown. Here are my photographs of Mireille Enos and Annie Corley being battered by wind and rain on their way to set and on set.

Meanwhile Holder is taking a piss when Alexi returns home. He chases him but can’t manage the fence. And Linden gets a peek at the file which tells her Alexi is the son of the man Stan Larsen whacked.

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PHOTO RECAP: Of Steveston Scenes in ONCE UPON A TIME 1×19 — Updated

We’ve been specualating for a while that Eion Bailey’s August W. Booth, aka The Stranger, could be Rumplestiltskin’s long-lost son Baelfire. It turns out he’s not, but Robert Carlyle’s Rumpelstiltskin/Mr.Gold has some hope early on in episode nineteen called The Return.

It opens with a seemingly-disabled August struggling to get out of bed and to walk. He meets up with Jared Gilmore’s Henry across the street from Mr. Gold’s Pawn Shop, asking for the boy’s help in “accelerating the plan” while pretending it’s part of Operation Cobra. “We’re a go,” he says as Henry runs into Mr. Gold’s to buy a gift for Miss Blanchard “since she didn’t kill that woman” (one of the funniest scenes is the accompanying “We’re glad you didn’t kill Mrs. Nolan” card from her class), while August searches Mr. Gold’s back office. I saw them film the exterior scenes in a mid-February downpour in Steveston dressed as Storybrooke, and then move inside Mr. Gold’s for interior scenes with Robert Carlyle.

Once Upon a Time intercut these scenes with the fairytale world where Bae tries to get his now clearly evil father Rumple to return to his original self, untainted by magic. They make a deal that if Bae can find a way to rid him of the Dark One’s powers, his father will go along with it.

Back in Storybrooke, a suspicious Mr. Gold decides to follow August out of town to the local convent. That’s Eion Bailey on the motor bike below but his stunt double rode it down the Moncton Street in Steveston. And that’s Mr. Gold’s ride, the big Cadillac parked outside his pawn shop.

Bae obtains a special bean from the Blue Fairy which will open a portal to a land without magic where his father will have no dark powers. But when Rumple sees the gigantic swirling vortex he loses his nerve, reneging on his deal Read More »PHOTO RECAP: Of Steveston Scenes in ONCE UPON A TIME 1×19 — Updated

Spoilers from #Supernatural Season Seven Finale Scenes in Gastown – Updated

It seems Bobby Singer is still angry with Dick Roman, the Leviathon CEO, for shooting him dead. Supernatural filmed a season finale scene last night in Gastown of Jim Beaver as Bobby staring at a Dick Roman news item on an array of flat screen TVs for sale in the window of an electronics store set.

Across Carrell Street outside the Blarney Stone, a dozen fans watched the filming, spinning theories about what we were seeing. We think it’s ghost Bobby not a come-back-to-life Bobby, but it’s only a guess. We’ll have to wait for the season finale to air to find out.

In between takes, some watched the Vancouver Canucks lose their first playoff game on the big screen inside the pub. I retreated to the back of the Coffee Bar at 12 Water Street to warm up, dry out, and use wifi. Out of the corner of my eye, I saw a handsome man in blue come out of the Boneta Restaurant to talk on his phone in the inner courtyard. It was Misha Collins, dining where Supernatural had set up a holding area for background performers in the late shoot, even though crew said he had no scenes that night.

Later he and his companion walked past the electronics store set to chat with crew and Jim Beaver. And as only I can do, I took a photo of Misha Collins where I’m the only who knows he’s in it (he’s one of the shadowy figures on the right).

While it was great to see Jim Beaver on set again, we were hoping for the return of something else too — the Impala. Read More »Spoilers from #Supernatural Season Seven Finale Scenes in Gastown – Updated

Going Numb on THE KILLING Day Sixteen

Joel Kinnaman’s conspiracy patsy Stephen Holder goes numb in epic fashion in The Killing’s third episode of the second season: scaring his nephew, beating up one of his old dealers, having sex in a car and then walking through oncoming traffic on what looks like Vancouver’s Georgia Viaduct (the red S on top of the Scotiabank tower is a giveaway).

This is where Mireillie Enos’s Sarah Linden — now back as lead detective on the Rosie Larsen murder case — finds Holder, having spent Day Sixteen of the investigation methodically backtracking what he has done or not done during her brief absence. She asks a uniformed police officer what happened to her warrant for a client list from the Beau Soleil computer servers, the on-line escort service sixteen-year-old Rosie Larsen worked for. It turns out Mark Moses’s new Lieutenant has obstructed her with red tape. While she’s waiting for the warrant, she goes to the Larsen house with a photograph of the manga tattoo from the arm of Rosie Larsen’s mysterious bicycling companion in a video. She’s confronted by a hostile Stan Larsen unwilling to look at anything until the police tell him what they’ve discovered about Rosie’s pink, bedazzled backpack dropped on his doorstep at the end of Day Fourteen.

That brings to Linden to just-retired Lieutenant Oakes’s boat moored somewhere on the Fraser River to retrieve the backpack which Holder entered into evidence. She quickly realizes that this is not Rosie Larsen’s backpack and that Holder must have made a switch, calling him to say: “I know what you did with the backpack…we need to talk..call me back.” Back at the station, she re-watches the video of Rosie Larsen on her bike for the umpteenth time. The uniformed police officer interrupts to tell her that he went to serve her Beau Soleil warrant at the shoe place but there was a fire there that morning.

Sarah Linden gets out of her car at the arsoned shoe store, filmed in Vancouver’s Chinatown early this year, saying, “Seattle PD. Were the computers damaged?” Told there were no computers, she squints around in Linden fashion, spying some security cameras on the street.

This was the first time I’d seen Mireille Enos filming on location for season two. She is so different from her character, quick with a smile and happy in her life, as you can see below in my photograph of her and a crew member.

The next scene in Numb is of Brent Sexton’s Stan Larsen picking up his two boys at school, only to discover that shady crime figure and Larsen’s former boss Janek Kovarsky has been by to visit them. I photographed Brent Sexton in character as Stan Larsen filming this scene at Vancouver’s Lord Strathcona Read More »Going Numb on THE KILLING Day Sixteen